dr Marzanna Popławska

• 2020    Performing Faith: Christian Music, Identity, and Inculturation in Indonesia, SOAS Studies in Music, Routledge [monograph, 342 pp.]

Table of contents: LINK

Chapters' description: LINK

• 2020    “Intangible Cultural Heritage and Policy Making in Poland”, in: Cultural Mapping and Musical Diversity, Britta Sweers, Sarah Ross, eds., Transcultural Music Studies series, Equinox, Sheffield/UK, pp. 194-209;

Chapter description: LINK

• 2020    “Indonesian music-culture as personal and research experience,” Ethnologia Polona vol. 39 (Special issue on anthropology of sound), Polish Academy of Sciences, pp. 71-89;  

Article: LINK

• 2020    “Rahayu Supanggah and komposisi baru” (audio-paper/podcast), Glissando (online edition)

Article: LINK

• 2018    “Inculturation, institutions, and creation of localized congregational repertoire in  Indonesia,” in: Locating Christian Congregational Music: Indigeneity, Cosmopolitanism, and Diversity, Monique Ingalls, Muriel Swijghuisen Reigersberg, Zoe Sherinian, eds., Routledge, pp. 133-158.
• 2016    “New Christian Music in Indonesia: Inculturation in Transition,” in: Resounding  Transcendence: Transitions in Music, Religion, and Ritual, Philip Bohlman & Jeffers Engelhardt, eds., Oxford University Press, pp. 111-125.
• 2016    „Chrześcijaństwo w Indonezji: globalizm i lokalizm w muzyce i liturgii” [“Christianity in Indonesia: global and local elements in music and liturgy”], in: Bogowie i ludzie: współczesna religijność w Azji Południowo- Wschodniej, Sylwia Gil, Adrian Mianecki, eds., Toruń: Wydawnictwo Naukowe Uniwersytetu Mikołaja Kopernika, pp. 129-153.
• 2016    “Studia nad muzyką Indonezji w Polsce i na świecie” [“Indonesian music studies in Poland and abroad”], Muzyka, nr 4, pp. 111-129. 
• 2015    “Taniec w Indonezji: tradycja, przemiany, kreowanie znaczeń” [“Indonesian dance: tradition, change, meaning”], in: M. Jarmułowicz, ed., Ogród sztuk Indonezji, Uniwersytet Gdański, pp. 29-48.
• 2014    “The National Gugak Center–Preserving and Promoting Intangible Cultural Properties in Korea”, in: Korea: Art and Artistic Relations with Europe, A. Kluczewska-Wojcik, ed., Polish Institute of World Art Studies & Tako Publishing House, Warsaw–Toruń, pp. 61-68.
• 2012    “Traditional Arts and Christian Expression in Indonesia: The Case of Flores,” in: South-East Asia: Art, Cultural Heritage and Artistic Relations with Europe, I. Kopania, ed., Polish Institute of World Art Studies & Tako Publishing House, Warsaw—Toruń, pp. 135-140.
• 2011    “Christianity and Inculturated Music in Indonesia,” Southeast Review of Asian Studies, vol. 33, pp. 186-198.
• 2009    “A Report from Society for Ethnomusicology, 53rd Annual Conference,” October 2008, British Forum for Ethnomusicology e-Newsletter.
• 2006    “Flores – Christianity and tradition,” Seleh Notes 13/2, pp. 7-10. 
• 2005    “Wayang wahyu – the Catholic shadow theatre of central Java,” Seleh Notes 12/3, pp. 7-10.
• 2004    “Wayang wahyu as an example of Christian forms of shadow theatre,” Asian Theatre Journal 21/2, pp. 194-202.
• 2003    “Being an Ethnomusicologist,” Selonding: Jurnal Etnomusikologi Indonesia 2/1, pp. 157-174.
• 2002    “Pemandangan Musik Indonesia–Refleksi FGY 2002,” Gong 40:11.
• 1999    “The Role of Music in Family Celebrations in Java,” in: Kobieta i Rodzina w Krajach Rozwijajacych Sie [Woman and Family in the Developing Countries], ed. by Elzbieta Puchnarewicz, ed., Libra, Warszawa-Bialystok, pp. 136-144.
• 1999    “Traditional Javanese Music–The Main Questions,” Zeszyty Kola Naukowego Studentow Muzykologii UW 1, Bogna Augustyniak, ed., Kolo Naukowe Studentow Muzykologii UW, Warszawa, pp. 141-170.
• 1996    “Russian Music,” in: World Sound Matters–An Anthology of Music from Around the World, Jonathan Stock, ed., Schott, London.
• 1995    “Conference Report” from the Annual Conference of ICTM (UK Chapter), Newsletter ICTM/UK.